南昌滕王閣導遊詞範文（通用10篇）

南昌滕王閣導遊詞範文 篇1

各位朋友：我們今天要參觀的景點是與湖南的岳陽樓，湖北的黃鶴樓並稱為江南三大名樓有西江第一樓之稱的南昌滕王閣!現在我們大家跟隨我進入到整個景區。現在正對我們的就是滕王閣了。它為仿宋建築風格，採用明三暗七的建築風格。始建於唐永徽四年，即公元653年!是唐王朝的開國皇帝—唐高祖李淵的兒子李元嬰在當時的洪洲(今南昌)為官期間建造的。當時建造這個建築的目的就是為了滿足李元嬰吃喝玩樂，欣賞歌舞。此人在離開洪洲到山東時被封為滕閣，故這個建築就被命為滕王閣!它的高度為57.5米，由於歷史上的原因(戰爭，火災等)，我們現在所看到的是重建成於1989年重陽節的第29代滕王閣。在重建時主要參考了梁啟超的兒子樑思成所繪製的八副<重建滕王閣計劃草圖>並參照了宋代的李明仲的<營造法式>。<滕王閣序>使其在歷史的長河中沒有被歷史忘記，滕王閣又使<滕王閣序>在實在的載體中不斷流傳!

從遠處看，滕王閣和它的壓江、挹翠兩亭像中文的“山”字，從空中俯瞰，滕王閣又像一隻展翅欲飛的大鵬。有可能大家有點疑問，為什麼我們江南三大名樓中湖南的岳陽樓，湖北的黃鶴樓都是樓，為什麼我們這裏被稱為閣?答案就在我們的面前!大家請注意，在這個建築下面有象徵古城牆的兩層，高度為12米。平地起高樓，我們這裏的建築是在這兩層上建築，所以就被稱為閣了。這兩層的台階有89個，寓意着是在1989年重建。如果您有興趣可以數數看。

(1樓門口)大家現在看到的“落霞與孤鶩齊飛，秋水共長天一色”是毛主席同志的親筆手書，在重建滕王閣的時候送給我們江西。

(進入到1樓)現在我們到的位置就是這個建築的第三層，也是我們滕王閣的序廳。請看我們的正前方，有一幅漢白玉浮雕<時來風送滕王閣>，是根據明朝的馮夢龍的<醒世恆言>中的名篇<馬當神風送滕王閣>而創作的。它將不同的時間空間人物和故事集合在同一個畫面上，體現出歷史的厚重。它主要介紹我們滕王閣的來由。描寫的是與楊炯、盧照鄰、駱賓王號稱“初唐四傑”的王勃，在前往當時的交趾(現在的越南)探望被貶職的父親。在江西馬當山處遇到大風，幸遇中原水神的幫助而抵達當時的洪洲，在不明白當時舉辦滕王閣高會主要目的(閻都督準備在此會上炫耀其女婿的文才)而在眾人的半推半就中寫下了生命的絕唱<騰王閣序>。王勃寫完這個詩文離開洪洲在海上就遇難。王勃作序後，又有王仲舒作記，王緒作賦，歷史上稱為“三王文章”。從此，序以閣而聞名，閣以序而著稱。

(進入到2樓)現在我們來到就是第4層“人傑廳”!這裏主要描繪的是江西從先秦以來的歷代名人，一共有80位。雖然他們的時代，服飾，地位，年紀，職業，性格和人品不同，但和諧的統一在同一畫面。因為時間的原因我們就簡單介紹其中的幾位。第一位是我們左邊的張天師，着道袍的這位。道教的始祖東漢的張道陵，雖然不是江西人，但是一生都和江西發生過極其密切關係。他創辦“五斗米道”之前，做過九江令，創辦“五斗米道”之後，又在龍虎山煉過丹。目前道家的影響在海外特別大，特別是日本韓國人對道家非常有興趣!

第二位就是在張天師旁邊的和尚——慧遠和尚，晉武帝太元六年(381年)，慧遠和尚奉道安之命，來到廬山宣揚佛法。而廬山的清幽安寧、雲霧繚繞、曲徑通峽的風景，在慧遠心中也逐漸形成了一個奇幻的境界。時隔五年，慧遠在廬山創建東林寺並結白蓮社，自此一住三十餘年，四處講學，直至圓寂那一天，而廬山的的錦繡谷、石門澗等處處都有着他講經説法的痕跡。他以白蓮社為基地，畢生精力倡導淨土宗，著有《法性論》等經書15卷50本，逐漸開佛教一派山門——淨土宗。慧遠首結蓮社，使佛教取得了平民信仰的形式，開始在平民中傳播，可以這樣講:慧遠的最大貢獻是他將複雜的佛家進行了改造，走入到了老百姓家中。

在我們現在看到的拐角出就是有名的“徐孺下陳蕃之榻”。徐孺，名稚，字孺子。江西豐城人。東漢時名士，滿腹經綸而淡泊名利，時稱“南州高士”。徐孺子小時候就很聰明。十五歲時來到今豐城、南昌、進賢三縣交界的櫧山，拜當時著名學者唐檀為師。和陳蕃關係非常好，平時不接待賓客的陳蕃，居然破例在太守府中為徐孺子特備一榻，徐來則張之，徐去則撤之，是為“徐孺下陳蕃之榻”所由來!後來人們就把有貴賓來安排住宿稱為“下榻”。

不知道在看的過程中有沒有看到有一位特別的人物在這裏?(停頓下)有朋友已經指出來了，他就是嚴嵩，明朝人，字惟中，號介溪，江西分宜人，擅專國政達20年之久，為中國歷史上著名的奸臣之一。為什麼他的畫象在這裏?主要是我們這裏不以人品而以其文品來評論!王廷相語曾經這樣評論他的文才:“詩思衝邃閒遠”，“文致明潤宛潔”王世貞的評論他“孔雀雖有毒，不能掩文章”，表示不能因人廢文，來肯定他“獨為迥出”的文學功力。

(3樓)這裏是明層，我們到的第五層。在中廳有壁畫<臨川夢>，在公元1599年，湯顯祖首次在滕王閣排演了<牡丹亭>這齣戲，開創了滕王閣上演戲曲的先河。滕王閣從此由一個歌舞戲台變成戲曲舞台。實現了功能的改變。在壁畫中的色彩以灰藍為基調，所有人物的眼睛全部是閉上的。烘托出夢境的感覺。中間的老者的頭微微向旁邊翹起，表示他不願意同腐敗的統治當局同流合污。表現自己對黑暗現實的抨擊。他於1616年逝世，這恰好和英國大戲劇家莎士比亞是同一年去世。由於湯顯祖在東方劇壇上的崇高地位，人們都稱湯顯祖是“中國的莎士比亞”。

由於他生活在明未清初，我國已經出現了資本主義的萌芽。資本主義的發展需要民主自由的環境，而當時的政府是不會答應這個要求的!所以湯老先生把自己的感情全部傾注在自己的作品中。《紫釵記》、《牡丹亭》、《邯鄲記》、《南柯記》，因為這些戲的內容都和夢有關係，又被稱為“臨川四夢”。“從作品的名稱中我們可以看到他對生活在現實中的不滿!他的作品所提出的反封建禮教，宣揚個性解放，主張愛情自由的口號才更具有深刻的社會意義和思想意義，同時也在很大程度上加強了古代愛情劇的思想和社會深度。

(4樓，7山1水自由選擇2-3個重點介紹)這裏是地靈亭，我們到的第6層!主要是我們江西的聞名的7山1水。它也在某種程度上體現了我們江西的地貌特徵“7山1水2分田”。7山1水從左至右分別是江西大庾嶺梅關，龜峯，三清山，龍虎山，井岡山，廬山，鄱陽湖，石鐘山。大庾嶺梅關，梅關古道始通於秦漢，是古代溝通中原與嶺南的五條交通要道之一。唐開元四年(公元716年)，為適應當時南北經濟文化交流的需要。張九齡又奉詔另鑿新道。前後用了二年的時間，開通了一條寬1丈，長30華里，兩旁廣植鬆梅的大道。現存的梅關古道約8公里，路面鋪砌青石的鵝卵石。古道上，梅嶺是粵贛交界的一個隘口，秦時在此設關，叫梅關。梅關是南嶺上最重要的關隘之一，關上聳立的關樓，為北宋時築。關樓拱門兩面嵌石刻，北為“南粵雄關”，南為“嶺南第一關”。第二次國內革命戰爭時期，陳毅曾在此領導了三年游擊戰爭，寫下了膾炙人口的詩篇《梅嶺三章》。現在，當年陳毅活動過的地方，已被開闢為旅遊景點。每年的新春前後，正是梅花初放的季節，兩邊的梅花盛開，爭相奪目，也正是走訪梅嶺古道的最佳時節。雖然初冬的涼風栩栩，但在這條千年古道上，至今仍然有着行人的足跡。古道、西風、瘦馬，彷彿時光倒流，夢迴唐朝。現存的梅關古道共長約8公里，路面鋪砌青石及鵝卵石。據説在過去，這裏是連接廣東和江西的唯一通道。如今這兩邊的村民要探親訪友，走的依然是這條古道。

龜峯，龜峯系國家級風景名勝區，國家3A級旅遊區。曾是電視連續劇《西遊記》的外景拍攝基地。它位於弋陽縣城西南部，總面積136平方公里，自古以“三十六峯、八大景”著稱，享有“江南盆景”之譽。龜峯側看成峯，全看成景，無山不龜，無石不龜。故名!三清山，龍虎山，井岡山，廬山，鄱陽湖，石鐘山等地就不一一介紹了!

三清山，古有“天下無雙福地”、“江南第一仙峯”之稱，三清山位於江西上饒東北部，主峯玉京峯海拔1816.9米，雄踞於懷玉山脈羣峯之上。三清山因玉京、玉虛、玉華三座山峯高聳入雲，宛如道教玉清、上清、太清三個最高境界而得名。在漫長的地質史中，三清山歷經了多次地質構造運動尤以大規模斷裂褶和巖漿活動的印支燕山運動為最成熟，從而形成了三清山今日的奇偉景觀，具有很高的觀賞和研究價值。三清山東險西奇、北秀南絕，兼具“泰山之雄偉、華山之峻峭、衡山之煙雲、匡廬之飛瀑”的特點。

龍虎山位於江西省鷹潭市郊西南20公里處。是中國道教發祥地，國家重點風景名勝區。整個景區面積200多平方公里。源遠流長的道教文化、獨具特色的碧水丹山和千古未解的崖墓羣構成了龍虎山風景旅遊區自然景觀和人文景觀的“三絕”。《水滸》第一回“張天師祈禳瘟疫，洪太尉誤走妖魔”就以“千峯競秀、萬壑爭流。瀑布斜飛、藤蘿倒掛”這樣生動的文字描寫這裏的景色。龍虎山原名雲錦山。東漢中葉，第一代天師張道陵在此肇基煉九天神丹，“丹成而龍虎見，山因以名”。張天師在龍虎山承襲六十三代，歷經一千九百多年，是我國一姓嗣教最長的道派，素有“北孔(孔夫子)南張(張天師)”之稱，“上清宮內伏魔殿的鎮妖井，就是施耐庵筆下樑山一百零八將的出處。該地歷時二千六百多年的春秋戰國崖墓羣，以其分佈廣、數量多、位置險、造型奇特、文物豐富面堪稱中國這最，世界一絕。被譽為天然考古博物館。

井岡山，位於江西省西南部，地處湘贛兩省交界的羅霄山脈中段，東邊江西泰和、遂川兩縣，南鄰湖南炎陵縣，西靠湖南茶陵縣，北接江西永新縣，是江西省西南的門户。解放後，於1950年在茨坪設立了井岡山特別區，1959年成立省轄井岡山管理局，1981年撤局設縣，1984年經國務院批准撤縣設市，20__年5月經國務院批准將原井岡山市與原寧岡縣合併組建新的井岡山市。全市現轄21個鄉鎮和街道辦事處，總人口14.8萬餘人，總面積為1308.58平方米。1927年10月，毛澤東、朱德、陳毅、彭德懷、滕代遠等老一輩無產階級革命家率領中國工農紅軍來到井岡山，創建中國第一個農村革命根據地，開闢了“以農村包圍城市、武裝奪取政權”的具有中國特色的革命道路，從此鮮為人知的井岡山被載入中國革命歷史的光榮史冊，被譽為“中國革命的搖籃”和“中華人民共和國的奠基石”。井岡山的鬥爭，從1927年10月到1930年2月為止，共計兩年零四個月，時間雖不長，但為全國開闢了一條成功之路，尤其為後人留下寶貴的精神財富——井岡山精神;堅定信念，敢闖新路。其精髓是：一是堅定不移的理想信念;二是實事求是的思想路線;三是黨管武裝的基本原則;四是血肉相連的幹羣關係;五是艱苦奮鬥的創業精神。

廬山(略)。

鄱陽湖古稱彭澤，面積達3914平方公里，是我國的第一大淡水湖，它上承贛、撫、信、饒、修五江之水，下通長江，它南寬北窄，象一個巨大的葫蘆系在長江的腰上，它每年流入長江的水超過了黃河、淮河和海河三河的總流量，是長江水流的調節器。鄱陽湖煙波浩渺、水草豐美，湖中有大量長江流域的珍貴魚類漫遊，每年還有許多珍貴的鳥類棲息在這裏，使得鄱陽湖的風景顯得更加宜人。不僅如此，鄱陽湖自古以來就是文人墨客會聚之地，許多詩人都在此留下了不朽的詩句，如王勃的“漁舟唱晚，響彭蠡之濱”，蘇東坡的“山蒼蒼、水茫茫、大姑小姑江中央”，描繪的都是鄱陽湖的勝境。鄱陽湖的著名景點有石鐘山、大孤山、南山、落星湖等等。

石鐘山，中國千古奇音第一山，位於中國第一大江長江與中國第一大淡水湖鄱陽湖的交匯處;其南望匡廬，北鎮長江，江湖水分兩色，繪成一幅壯觀奇妙的《涇渭圖》。山上古建築與碑、石刻相得益彰，互相輝映，集樓、台、亭、閣等於一體，是一座典型的江南園林。這裏石塊具有天然形成的皺、透、瘦、漏、醜等特點，千姿百態。而且石叩之有聲，觀之出奇。登臨其上，看長江滔滔，觀鄱湖浩淼，令人心曠神怡，留連忘返。正是由於這裏奇峭的自然景觀和悠久的人文景觀，吸引了歷代眾多的文人學者前來探奇覽勝，著文賦詩;其中最為著名的是宋代蘇東坡的《石鐘山記》而名揚天下。

(5樓)我們現在到了登高覽勝的最佳處，第7層，中廳是蘇老先生的手書《騰王閣序》，分為序文和詩文兩部分!詩文既是對序文的延續，也是對序文的概括。公元663年九月初九重陽節，洪州閻都督在新落成的滕王閣大宴賓客，當地知名人士都應邀出席。王勃正好路過這裏，也應邀參加。因為他才十四歲，所以被安排在不顯眼的座位上。閻都督的女婿很會寫文章，閻都督叫他預先寫好一篇序文，以便當眾炫耀一番。大家酒酣之際，閻都督站起來説：“今天洪州的文人雅士歡聚一堂，不可無文章記下這次盛會，各位都是當今名流，請寫賦為序，使滕王閣與妙文同垂千古，話畢，侍候的人將紙筆放在眾人面前。但是大家推來推去，沒有一個人動筆。後來推到王勃面前，王勃競將紙筆收下，低頭沉思。過了一會兒，王勃捲起袖口，揮毫即書。閻都督見是一個少年動筆，不太高興，走出大廳，憑欄眺望江景，並囑咐侍從將王勃寫的句子，隨時抄給他看。才過一會兒，侍從抄來《滕王閣序》的開頭囚句：“南昌故郡，洪都新府。星分翼輕，地接衡廬。”這四句的意思是：滕玉閣所在之處過去屬南昌郡治，現在歸你洪州府。它的上空有冀、鞍兩墾，地面連接衡山、廬山兩山。閻都督看了，認為這不過是老生常談，誰都會寫，一笑置之。其實，這十六個字把南昌的歷史和地理的概況都交代清楚了，縱橫交錯，起筆不凡。接着，侍從又抄來了兩句，“襟三江而帶五湖，控蠻荊而引匝越。”閻都督看了有些吃驚。他想，這少年以三江(指荊江、湘江和浙江)為衣襟，又將五湖(指太湖、都陽湖、青草湖、丹陽湖、洞庭湖)為飄帶，既控制着南方遼闊的楚地，又接引着東方肥美的越地，大有舉足輕重。扭動乾坤之氣。寫出這樣有氣魄的句子，不是大胸襟、大手筆是不可能的。侍從接着抄上來幾句，更使閻都督吃掠：“物華天寶，龍光射牛鬥之墟;人傑地靈，徐孺下陳蕃之榻。”原來，王勃在這裏用了兩個典故。前一個典故是説，物有精華，天有珍寶，龍泉劍的光芒直射天上二十八星宿中的鬥宿和牛宿之間。意思是洪州有奇寶。後—個典故是説，東漢時南昌人徐孺家貧而不願當官，但與大守陳蕃是好朋友。陳蕃特地設一隻榻，專供接待徐孺之用。意思是洪州有傑出的人才。

閻都督越看越有滋味，越看越欽佩，連聲稱讚“妙!妙!妙文難得!”王勃寫完後，走到閻都督面前，謙遜的説：“出醜之作，望都督指教。”閻都督高興他説：“你真是當今的奇才啊!”於是重新就座，淨都督把王勃奉為上賓，並親自陪坐。但是他的女婿佔着自己的記憶力非常強，當眾否定王勃的文章為原創。在閻都督女婿確定此序文沒有詩文的情況下，王勃提筆寫下了七言詩：滕王高閣臨江渚，佩玉鳴鸞罷歌舞。畫棟朝飛南浦雲，珠暮卷西山雨。閒雲潭影日悠悠，物換星移幾度秋。閣中帝子今何在，檻外長江空自流。

(5樓西廳)我們現在看到的磨漆畫《百蝶百花圖》是為了紀念喜好藝術的李元嬰。蝶畫一詞是近年來才有的，其方法是用蝴蝶的翅膀來作為整個圖畫的材料，其作品風格獨具一格，自成一派，稱之為藝術林宛的一支奇笆。其材取於自然，無一絲做作之筆，完全是手工剪切粘帖而成，任何一件作品都是舉世無雙的，具有很高的欣賞價值，現還成為人們收藏的珍品。在唐朝有“滕王蛺蝶江都馬，一紙千金不當價。”由此看見其藝術價值。在畫面下部是用蛋殼拼成的南昌市花金邊瑞香!(離開房間到樓外)我們現在可以看到的是我們江西的母親江-贛江(因發源於贛州的章貢二水而得名!)南昌的八一大橋，南昌大橋，全亞洲目前最高的噴泉廣場-秋水廣場及其所在的南昌紅谷灘新城區。如果到了下午，咱們幸運的話，有可能還能夠體會王勃在寫《滕王閣序》時特殊的心情。

(6樓)我們大家現在來到了第8層!因為第9層是設備層，因此這是我們人所能到的最高處。大家會發現在這層中間有一個天井，在天井上方有一個華麗的旋藻，寓意者天圓地方。旋藻劃分為24個曲線，代表着一年24個節氣，一天24小時。在題匾上寫的是“九重天”，指代我們的滕王閣的9層。在三面牆上描繪的是《大唐舞樂》，體現唐朝國富民強的景象。在這裏有定時的歌舞表演，大家可以自由活動!我們在這裏把時間統一下，現在是10：00，我們10：50在車上集合。在這個時間裏面大家可以在這裏參觀歌舞，也可以到象徵古城牆的底座空間裏看看歷代的滕王閣模型等等!(講解結束)

南昌滕王閣導遊詞範文 篇2

“落霞與孤鶩齊飛，秋水共長天一色”， 這是我很早以前就會背誦的千古佳句，今年暑假，我回了一趟老家南昌，終於有機會登上了著名的滕王閣。

滕王閣始建於唐代，一千多年來屢毀屢建，至今已達二十八次之多，有“國運昌則樓運盛”之説。滕王閣的建築特色與眾不同，有着“飛閣流丹，下臨無地”之氣勢，所以名揚四海、眾所皆知，引得歷代不少名士到這裏來遊覽、吟詩作對。王勃一篇《滕王閣序》便衝破雲霄、一鳴驚人，博得十幾代人的青睞，被認為是難得一見的千古佳作。文學家韓愈撰文：“江南多臨觀之美，而滕王閣獨為第一，有瑰麗絕特之稱。”故其有“江西第一樓”之譽，因其高度和麪積都勝於其它閣樓，所以被列為我國江南三大名樓之首。

現代的滕王閣連地下室一共分為九層，各層都有十幾個檐角向上翹着，彷彿是展翅欲飛的孤鶩，舉目仰望雄偉壯觀。步入閣樓彷彿置身於一座以滕王閣為主題的藝術殿堂。第一層的正廳有一表現王勃創作《滕王閣序》的大型漢白玉浮雕《時來風送滕王閣》，巧妙地將滕王閣的動人傳説與歷史事實融為一體。第二層正廳是大型工筆重彩壁畫《人傑圖》，繪有自秦代至明代江西名人共80位。這與第四層表現江西山川精華的《地靈圖》，堪稱雙壁，令人歎為觀止。第五層是用筆墨展現滕王閣歷史的最佳處，蘇東坡手書王勃作的千古名篇《滕王閣序》就在其中。登上頂層，感覺到江水從樓底穿流而過，雖然沒有看到“落霞與孤鶩齊飛，秋水共長天一色”的壯麗景色，但整個南昌市的一派大好風光卻盡收眼底：筆直、雄壯的八一大橋，寬闊、秀美的秋水廣場，還有高樓林立、充滿現代氣息的洪谷灘開發區……，這就是我那人傑地靈的故鄉!

瑰偉絕特的滕王閣啊，在日新月異的今天，你將見證古城南昌的騰飛，我願你永遠美麗!

南昌滕王閣導遊詞範文 篇3

大家好!歡迎大家來到南昌遊玩。我是導遊王祚瑞。下面我將要帶領大家參觀滕王閣景點。

大家都知道滕王閣的由來吧?對了，滕王閣是西江第一樓，他與黃鶴樓、岳陽樓並稱為三大名樓。

滕王閣是唐高祖李淵之子李元嬰任洪州都督時所建的，洪州指的就是現在的南昌了。在貞觀年間，李元嬰曾被封為騰王，他所建造的閣樓當然以他的封號命名，所以就叫滕王閣。從騰王閣的始建到現在已有1300多年的歷史了，在這千百年來，他興廢交替多達29次，於1983年奠基，1985年破土動工，1989年10月8日重陽節主閣竣工。現在我們看到的滕王閣的匾額是宋代書法家懷素的狂草書法，被譽為是“天下第一草書匾”，這四個字高度概括了騰王額的獨特之處，它取自韓愈的詩句“餘少時則聞江南多臨觀之美，而滕王閣獨為第一，有瑰偉絕特之稱”，因此，騰王閣就有了西江第一樓的美譽。

現在我們要進入滕王閣主閣遊覽了，請大家在遊玩時注意安全，不要將頭伸出欄杆外;不要攀爬。我們在中午12點整到滕王閣閣下集合。滕王閣的階梯有89級，它的含義是:現在的29代滕王閣，是1989年重建成的，“89”指的就是這個時間。滕王閣的主閣高57.5米，有九層，可是現在大家看到的才三層呀!怎麼可能變成了九層了呢?

這是因為滕王閣的結構是明三暗七，再加上兩層基座，就是九層了。主閣兩側還建有“壓江”和“邑翠”兩亭，如果在高空鳥瞰滕王閣，就發現他像一隻正欲展翅高飛的巨大鯤鵬。好了，我介紹完了，請沒有觀覽完的遊客繼續觀賞，現在解散!

南昌滕王閣導遊詞範文 篇4

女士們，先生們，各位對江南三大名樓一定是耳熟能詳，可能大家都記得：“落霞與孤鶩齊飛，秋水共長天一色一”;“晴川歷歷漢陽樹，芳草萋萋鸚鵡洲”;“先天下之憂而憂，後天下之樂而樂”。這些分別是王勃的《滕王閣序》、崔顥的《黃鶴樓》，范仲淹的《岳陽樓記》中的名句，可謂是千古流傳，膾炙人口人。今天我們就去遊覽江南三大名樓之首的南昌滕王閣。親身體驗一下王勃筆下的境界。

各位遊客，我們現在來到的地方是南昌市的榕門路口。一度仿古式的大牌樓巍然屹立它東面的匾額上書“滕閣秋風”。為什麼要在這裏建一個牌樓?它對滕王閣景區有什麼作用呢?

“滕閣秋風”牌樓是通向滕王閣景區的第一道門，也是景區中軸線上的第一道景觀。它聳立在景區東面，是座高大的二柱、彩繪、仿宋式大牌樓，高12米、跨度15米，正中是青石貼金橫匾二方，正面朝東“滕閣秋風”橫匾為宋蘇東坡墨跡，背面為文徽明手書的“勝友如雲”。牌樓往西大約50米處是南北向展開的仿佔街，牌樓的豎向構圖與仿古街水平舒展的橫向構圖形成對比，同時又跟遠處高聳入雲的主閣遙相呼應。當我們步入景區，主閣的天際輪廓線映人眼簾，這時牌樓起到了很好的框景作用，再加上仿古街對遊客觀閣視線有屏蔽效果，避免了景區主要景觀一覽無餘，營造出了一種“紅杏出牆來”的意味。

各位請看，這就是景區的東門，它是一幢五間歇山頂的建築，墨綠色琉璃瓦蓋頂，當中一間是進入口，設內外兩道門扇。外門正對東面大牌樓，門首正中懸掛“雄州霧列”匾額;內門面向園區，門首正中為“地接衡廬”橫匾。園門是遊客進入園區的主要人口。作為景區中軸線上的第二道門，它既起分隔景區內外空間的作用，又是內外空間的過渡區域。

請各位隨我由此進入園區，大家是否有眼前突然一亮的感覺呢?我們終於看到了主閣的雄姿。閣前廣場的設計也獨具匠心，它的寬闊襯托出了主閣的高聳，上出重霄的氣勢得到充分展現。廣場與主閣之間有一條南北貫通的幹道，連接着南端的南門人口和北端的俯暢園。

滕王閣、黃鶴樓、岳陽樓並稱為江南三大名樓，但唯獨滕王閣稱為“閣”，這是為什麼呢?

在我國的傳統建築中，樓是重屋，即二層以上的房屋。閣是傳統樓房的一種，原是架空的樓，由幹欄建築，即樹幹為欄的木閣樓，演變而來。其實樓與閣在建築形制上難以明確區分。人們常將“樓閣”二字連用。一般閣都帶有平座，四周設隔扇或欄杆迴廊。恐怕最明顯的區別是它們使用功能的不同，樓的用途是廠“泛的，而閣僅限用於遊憩遠眺、藏書、供佛等方面。如北京頤和園的佛香閣是佛閣，寧波的天一閣是藏書閣。滕王閣背城臨江，雄踞高岡，建築風格具有較明顯的閣的特點。而且當初建造它，就是出於娛樂目的，為一歌舞場所，因此它的功能是遊憩遠眺，屬閣的範疇，故稱其為“閣”是名副其實的。黃鶴樓、岳陽樓都是出於軍事的需要而建造的，所以它們都稱為“樓”。

我們眼前這座閣是第29次重建的新閣。各位可能會同，滕王閣的重建次數居然有29次之多，這在建築史上恐怕也不多見，這個問題又該如何理解呢?

滕王閣的揚名，的確與王勃的傑作《滕王閣序》大有關係，正所謂“文以閣名，閣以文傳”。但一處景觀之所以名垂千古，其原因絕不僅僅於此。全國與著名的詩歌和文章相聯繫的建築還有很多，有的已杳無蹤影，而滕王閣卻屢毀屢建，前後達29次之多，僅清代順治以後的1O代帝王就重建了13次，平均20多年就重建1次。之所以如此，其重要原因是繼王勃之後，歷代的宿儒學者、名工巨卿在滕王閣留下了豐富的文化遺產，使這座吳頭楚尾的西江名樓成為江南的重要人文中心之一。歷代名士在滕王閣留下了大量的詩文、繪畫、書法、篆刻等藝術珍品，如韓愈、自居易、杜牧、歐陽修、王安石、蘇軾、朱熹、文天祥、辛棄疾等，或以文章紀事，或以詩詞抒懷，詩詞佳篇卷帙浩繁，僅《四庫全書》所收就達三部四十餘卷;雖然五代水墨畫家李升的《滕王閣宴會圖》已湮沒失傳，但北宋郭忠恕的《王勃對客揮毫圖》和明代唐寅的《落霞孤鶩圖》已成為保留至今的稀世珍品。歷代名家的詩詞楹聯、書畫碑拓，經過一代代文人的收集整理出版，形成了瑰麗多姿的滕王閣文化體系。滕王閣還是歷代歌舞戲劇的重要演出場所，建成後幾乎所有的洪州都督、知府，每逢接官、送別、聚會、慶典，都要在此舉行規模不等的歌舞音樂演出會。明代大戲劇家湯顯祖也曾在這裏組織演出其不朽作品《牡丹亭》，開了滕王閣上演大型劇目的先河。

滕王閣也不愧是華夏文化的一個縮影，它兼收幷蓄，雅俗共賞，這樣的景點在國人的心目中已深深紮根，所以它歷千載滄桑，而盛譽不衰。

現在我們看到的新閣是1989年10月8日重陽節落成並對外開放的。它坐落在城區之西的沿江大道中段，疊山路口，贛江與撫河故道會合之處。唐代閣址就在其東面約100米的地方，清代閣址則位於其南端約300米處。高閣面城臨江，西南水天相接處，南昌大橋依稀可見，西北與八一大橋遙遙相望，所以新閣的位置既與故地一脈相承，又考慮現代取景的需要，儘可能的體現了《滕王閣序》中的意境。

這是一座仿宋建築，宋代建築是對唐代建築的繼承和發展，時間相對較近，且宋代的樓閣建築可稱為古代建築造型之最。宋大觀二年(1108年)，滕王閣因年久失修而塌毀，侍郎範坦重建，比唐閣的規模更大，在主閣的南北面增建了“壓江”、“挹翠”二亭，形成了以閣為主體的建築羣，形貌華麗，氣勢宏偉。1942年，古建築大師樑思成先生偕同其弟子莫宗江根據“天籟閣”舊藏宋畫繪製了八幅《重建滕王閣計劃草圖》，這就是第29次重建設計的主要依據。另外，還參照了宋代李誡的《營造法式》，此書相當於現在的建築規範。

此閣主體建築淨高57.5米，建築面積13000平方米。其下部為象徵古城牆的二級台座，台座以上的主閣取“明三暗七”的形式，即從外面看是三層帶回廊的建築，而在內部計算共有七層，包括三個明層、三個暗層和頂部的設備層。如果加上二級台座，滕王閣整體共九層，寓意“九重天”。“明三暗七”是新閣結構的明顯特點。

新閣的瓦件全部是碧色琉璃瓦，因唐宋多用此色。正脊鴟吻高達3.5米，為仿宋特製;勾頭、滴水均為特製瓦當，勾頭構成“滕閣秋風"四個篆字，而滴水形成“落霞”與“孤鶩”圖案。

從南北石階可登臨一級高台，在此可見南北兩翼的碧瓦長廊。長廊南北兩端分別為四角重檐的壓江亭和挹翠亭。從正面觀看，南北兩亭和主閣組成的建築羣，正形成“山”字;如從空中俯瞰，建築羣猶如一隻平展兩翅，意欲凌波西飛的巨型鯤鵬。這種立面和平面佈局，是新建滕王閣的一大特色。

二級台座高為12米，共89級，寓意新閣於1989年落成。高台與須彌石座墊託的主閣渾然一體。台座之下，有南北相通的兩個瓢形人工湖，北湖之上建有九曲風雨橋，樓閣雲影，倒映水中，給人以無盡的遐思。

我們現在正位於園區內主閣東面的寬闊廣場上。西面是花崗石鋪成的臨江廣場;南面平緩的小山坡上遍植花卉樹木，其中有一片四季常青的竹林和一個八月飄香的桂園;北面是佔地面積6600平方米的俯暢園，“俯暢”出自《滕王閣序》中的“遙吟俯暢”句。整個景區體現了皇家園林與自然山水式園林相結合的特點。之所以説它是皇家園林，是因為歷史上的滕王閣為登臨抒懷之處，接詔拜官之所，屬官建、官管、官用的歌舞宴集之地。

關於滕王閣的歷史背景和總體情況就簡單講這些，下面請各位登石階進閣內參觀。抬頭仰望，可見一層檐下的一塊九龍匾，上書“瑰偉絕特”四字。這四個字出自唐代著名文學家韓愈的《新修滕王閣記》，他對滕王閣的讚美可謂到了極致。現在我們來到高閣的正門處，這部分建築稱為“抱廈”，亦稱“龜頭屋”，由兩個歇山頂作“丁”字形相交的形式，其突出部分稱為“抱廈”。抱廈原本不是門，但在中國古建築當中，常會在抱廈處設入口，因此亦可作為一種門的形式，這個抱廈與進入主閣的大門融為一體。抱廈東端正中檐下橫掛“瑰偉絕特”匾額，左右立柱上懸掛不鏽鋼巨聯：“落霞與孤鶩齊飛，秋水共長天一色。”這是毛澤東1964年為兒媳邵華親筆所書。在此，門連同主閣一起，成為了景區中軸線的端點、視線的落點、視覺的焦點，這道門是通往文化藝術殿堂的大門。

各位遊客，這便是主閣一層的前廳，正面是一幅漢白玉浮雕《時來風送滕王閣》。這件作品是根據明代文學家馮夢龍所著《醒世恆言》中的《馬當神風送滕王閣》的故事創作的。請看，畫面描繪狂浪掀天，小船破浪向前的情景，年少桀驁的王勃昂首立於船頭，他那自信、自負的神態躍然於浮雕之上。王勃。(650-676年)，字子安，絳州龍門(今山西稷山西南)人，是唐初著名詩人之一，與楊炯、盧照鄰、駱賓王並稱初唐四傑。自幼聰明過人，因恃才傲物，仕途不順，且不幸的是英年早逝。

各位遊客，接下來讓我們依次參觀二層、三層、四層、五層、六層。

二層，是一個暗層，採光和通風均靠人工解決。此層的陳設以“人傑”為主題。請看這正廳的牆壁上，有一幅大型丙烯壁畫，稱為《人傑圖》，上面畫出了自先秦至明末，江西各領風騷的名人，有的大家可能都頗為熟悉，如徐稚、王安石、湯顯祖、朱耷等。這幅壁畫的獨特之處是，這些人物時代、地位、年齡、性格、服飾等都不一樣，但卻統一在同一畫面之中，而且如此協調、生動，彷彿是羣星大家族，給人以深刻的印象和很強的感染力。

三層，與一層類似，為一個明層，有圓廊四繞，可憑欄遠眺。這一層着力表現了當年重陽盛會的場景，請看西大廳，稱為“古宴廳”，西邊樑枋上懸掛着“高朋滿座”的金匾，東牆上有青銅浮雕《唐伎樂圖》。讓我們一起欣賞一下這幅樂圖。畫面主角是三位唐代舞伎，她們在表演《霓裳羽衣舞》。舞伎周圍配有馬術、摔跤、鬥牛、橫吹等民間遊藝景象，上方有星象圖，左右側塑有操持各種樂器奏樂的藝人。畫面古樸，體現了唐代盛世昇平的景象。廳內還擺放着古雅的紅木傢俱、春秋時期的青銅器複製品以及兩根磨漆大花瓶。

請各位參觀這一層的中廳，這裏也有一幅大型丙烯壁畫，名為“臨川夢”。它取材於湯顯祖《牡丹亭》中的故事。湯顯祖在明萬曆二十六年(1598年)完成這個劇本的創作，然後他在滕王閣首次排演了這齣戲，開創了滕王閣上演戲劇的先河。

四層，也是一個暗層，這裏的主題是“地靈”。正廳的牆壁上是一幅大型壁畫《地靈圖》，與二層的《人傑圖》相對應。請看，畫中把江西名山大川的精華作了簡練、形象的描繪，是一幅大好河山的壯美畫卷。

五層，是全閣最高的一個明層。我們先參觀大廳，然後再到迴廊上遠眺。這是中廳，請看正中屏壁上，鑲嵌着《滕王閣序》碑，全文系蘇東坡手寫的小行書，通過複印放大，由工匠在黃銅板上精心鐫刻而成。“豫章故郡，洪都新府。星分翼軫，地接衡廬……”閲讀此文，我認為要消除兩個誤解，正確把握文章的主旨。一是那次滕王閣聚會雖在九月，卻並非重陽，文中明育“十旬休假”,故當在九月十日、二十日、三十日旬休之日，且全文無一處涉及節事。二是這篇文章為“餞別序”，而非重陽“宴聚序”。現存王勃文集中的此篇題目是《秋日登洪府滕王閣餞別序》，這已非常清楚了。既然是餞別序，那麼被餞者是誰呢?這在文中有跡可尋。宴會的主人當然是洪州都督閻公，陪客的是孟學士和王將軍，一文一武;被餞別的是那位路經洪州，前往新州(今廣東新興)赴刺史任的宇文大人;從身份和文中描寫來看，作者本人也可算作一位次要的客人。明確了這次宴會的主、客情況，特別是重視主要客人宇文新州的存在，才能對全文脈理和主旨有正確的理解。

“興盡悲來，識盈虛之有數。”是全文意思轉折的關節點，而兩位被餞送者則是體現本篇主題的中心人物。作為餞別，文章不可避免地帶着應酬色彩。首先是對主人閻公及其文武陪客盂學士、王將軍等人，作者備致頌美仰望之忱。其次是對洪州地勢和高閣景觀以及勝餞的讚揚誇説，也是對主人的另一形式地勢和高閣景觀以及勝餞的讚揚誇説，也是對主人的另一形式的稱頌。上述就是前半幅所寫的“興”。從“望長安日下”以下的後半幅，則主要寫“失路之人”、“他鄉之客”宇文新州和作者之“悲”。以“勃三尺微命”為轉折，此前的悲和自勉兼指二人，且以宇文新州為主，文中有“老當益壯”、“桑榆非晚”之語，似更切合宇文新州，而下面才單指作者自身了。仕途多舛的共同遭遇，客中送客的特殊感受，使王勃在寄情抒懷時顯得更為投入，盡情地發泄了懷才不遇的人生悲慨，表達了濟世的渴望和志節自守的堅貞。失落、追求、怨恨、勉勵，各種矛盾複雜的感情交織在一起，使這篇美妙的駢文超越了應景酬世的目的，而成為表現主體情性、寓意極深的文學作品。

下面我們再到這層的西廳看看。請看這幅《百蝶百花圖》磨漆畫，給人以富貴高雅、清新悦目之感。為什麼在這裏懸掛一幅蝶畫呢?這其中含有紀念滕王閣首創人李元嬰的意思。這位王爺頗具才華，他愛蝶，愛畫蝶，而且自成一派，畫界稱其為“滕派碟畫”。他的蝶畫非常珍貴，有“滕王蛺蝶江都馬，一紙千金不當價”的説法。這幅蝶畫製作考究，工藝精湛。它以三合板為底，貼金箔為底色，用細銅絲勾勒蝴蝶的線條，將貝殼碾成粉末，敷成翅膀，花瓣兒用蛋殼拼成。

五層是在滕王閣上觀賞南昌城全景的最佳樓層，現在我們就去到迴廊。

各位感覺如何呢?在這裏漫步，眺望四周，但見江水蒼茫，西山疊翠，高樓如林，大橋如虹，公路如織，人車如流，自然的美和現代城市的繁榮景象交織在一起，與當年王勃的感受自然不可同日而語。如果要想找到“落霞與孤鶩齊飛，秋水共長天一色”的感覺，恐怕只能把思緒推向一千多年前。假如沒有這麼多高大建築，假如這裏基本上是蠻荒之地，只有這座高閣鶴立雞羣，假如……在這一系列的“假如”之後，各位的思想可能就會與那位才華橫溢的年輕人產生共鳴。

六層，是處於重檐大屋頂間的暗層。這一層作為遊覽層，是最高的了，所以大廳題匾“九重天”。它的東面和西面的重檐之間，各懸一塊“滕王閣”金匾，字是蘇東坡手書，匾寬2米、長5米。雖是一個暗層，但中廳南北角重檐間不是牆體，面是做成花格窗，因而採光很好。這一層的西廳佈置了一座小型戲台，為“仿古展演廳”;廳的南、北、東三面牆上，嵌有大型唐三彩壁畫《大唐舞樂》;廳的中央有漢白玉圍欄通井，下可俯視第五層，上方正對圓拱形藻井。此藻井在全國古建築中不多見，其結構頗有一番講究。它藴涵天圓地方之意，24組斗拱由大到小，由下至上共12層，螺旋排列，取意1年12個月，24個節氣。斗拱採用明、清民間木作處理手法，彩繪彩裝，瀝粉貼金，金碧輝煌。最頂端的彩繪參照了西安鐘樓的彩繪式樣。由於斗拱呈螺旋形盤繞而上，所以藻井給人以動感，凝神仰望，彷彿在不斷旋轉、不斷變化，使人有種時空無限的感覺。

各位遊客，滕王閣的文化積澱真是太深厚了，今天的參觀和講解，大家可能意猶未盡，希望有機會再為大家導遊，對這座名樓作進一步的探討和了解。

南昌滕王閣導遊詞範文 篇5

今天我要為大家介紹的是江南三大名樓之首：滕王閣。

滕王閣位於沿江路，一共有九層，它高五十七米，是古代最高的建築;它非常的雄偉、壯觀。每當夕陽西下的時候，我們就會想起古代詩人王勃寫的滕王閣序中的“落霞與孤鶩齊飛，秋水共長天一色”的美麗詩句。

滕王閣的歷史悠久，早在幾千年前就建好了，直到現在一共修建過二十九次，現在我們所看到的滕王閣是1962年修建成的。

滕王閣的表面顏色是紅牆綠瓦，還有黃色、藍色、白色的花紋，這些花紋像雲朵似的，造型非常漂亮，線條非常柔和。走進滕王閣，你會看見許多又粗又圓的紅柱子頂着滕王閣，這些紅柱子真像一根根紅蠟燭。滕王閣裏還有許多雕刻的工藝品，隨處可見，這些工藝品非常精緻，完美無暇。

滕王閣的左邊還有一個專門拍照的地方，這兒拍的可不是普通的照，拍的是古代宮裏的人，我就拍過一張格格的照片呢!

滕王閣周圍綠樹環繞，鮮花朵朵，爭奇鬥豔;高大的綠樹像草原的哨兵一樣，挺立在這兒。

看到美麗的滕王閣，我彷彿就是一位為滕王閣題詞的詩人，為滕王閣作詩。

每當夜幕降臨的時候，滕王閣周圍成了等的海洋，光的世界;而滕王閣呢，則成了一座五彩繽紛、異彩奪目的名樓。

作為一名南昌人，我為自己的城市感到驕傲，感到自豪!

南昌滕王閣導遊詞範文 篇6

"Sunset and lone flocks fly together, autumn water grows in the same colorin the sky." this is an eternal sentence that I will recite long ago. Thissummer vacation, I went back to my hometown Nanchang, and finally got a chanceto board the famous Tengwang Pavilion.

Tengwang pavilion was first built in Tang Dynasty. It has been destroyedand built for more than a thousand years. Up to now, it has been built 28 is said that "prosperity of the country means prosperity of the building."wang pavilion has unique architectural features, with the momentum of"flying Pavilion, flowing elixir, facing no land". Therefore, it is famous allover the world and well known by the public, attracting many celebrities tovisit here and recite poems. Wang Bo's "preface to Tengwang Pavilion" brokethrough the sky and made a great success. It has won the favor of more than tengenerations and is regarded as a rare masterpiece through the ages. Han Yu, alitterateur, wrote: "the south of the Yangtze River is full of beauty, andTengwang Pavilion is the first, which is called magnificent and unique."Therefore, it has the reputation of "the first building in Jiangxi". Because itsheight and area are better than other lofts, it is listed as the first of thethree famous buildings in Jiangnan.

The basement of Tengwang Pavilion is divided into nine floors. Each floorhas more than ten eaves, which are tilted upward. It looks like a lone duckspreading its wings to fly. Entering the attic is like being in an art palacewith the theme of Tengwang Pavilion. In the main hall on the first floor, thereis a large-scale white jade relief "when the wind comes to send tengwangge",which shows Wang Bo's "preface to tengwangge", skillfully integrates the movinglegend of tengwangge with historical facts. The main hall on the second floor isa large-scale meticulous heavy color mural "portrait of outstanding people",which depicts 80 Jiangxi celebrities from the Qin Dynasty to the Ming is as the acme of perfection, the fourth floor of the Jiangxi mountain andthe earth's soul. The fifth layer is the best place to show the history oftengwangge with pen and ink, in which the famous preface to tengwangge writtenby Wang Bo written by Su Dongpo. When you climb to the top floor, you can feelthe river flowing through the bottom of the building. Although you don't see themagnificent scenery of "sunset and lone ducks flying together, autumn water isthe same color in the sky", you can get a panoramic view of the whole NanchangCity: the straight and majestic Bayi Bridge, the wide and beautiful QiushuiSquare, and the high-rise and modern Honggutan Development Zone This is myhometown of outstanding people!

The magnificent Tengwang Pavilion is changing with each passing day. Youwill witness the take-off of Nanchang, the ancient city. I wish you alwaysbeautiful!

南昌滕王閣導遊詞範文 篇7

Welcome to tengwangge scenic area. I'm glad to be your guide!

Tengwang Pavilion is located at the junction of Ganjiang River and FuheRiver, Yanjiang North Road, Nanchang city. In the fourth year of Yonghui in TangDynasty, Li Yuanying, the king of Teng, built it when he was an official inHongzhou (now Nanchang), so it is called Tengwang Pavilion. It is famous forWang Bo's preface to Tengwang Pavilion. Together with Yueyang Tower in Hunan andYellow Crane Tower in Hubei, they are known as the three famous towers inJiangnan.

What we are seeing now is the 29th generation tengwangge, which was rebuilton the Double Ninth Festival in 1989,!

Now we come to the gate. Look at the green tiles and red pillars ofTengwang Pavilion. They are magnificent. The roaring lions on both sides holdtheir heads up and shake their tails, lifelike. It fully shows the style of thefamous building.

As we ascended the stairs, we came to the gate of the first floor. What youcan see now is that "the sunset and the lone ducks are flying together, and theautumn water is the same color in the sky" written by Chairman Mao himself. Itwas given to us in Jiangxi when the Tengwang pavilion was rebuilt!

We went to the first floor, and now we're there

The location is the third floor of the building, and it is also the prefacehall of our Tengwang Pavilion. Right in front of us, there is a white marblerelief, which mainly introduces the origin of our Tengwang Pavilion!

Come up to the second floor with me, and now we come to the fourth floor"Renjie hall"! It mainly depicts the celebrities of Jiangxi since the pre Qinperiod! There are 80 people in total! Although their times, costumes, status,age, occupation, personality and personality are different, they areharmoniously unified in the same picture!

The third floor we went to is the Ming floor. It's the fifth floor! Thereis a mural "Linchuan dream" in the central hall. In 1599, Tang Xianzu rehearsedthe play "Peony Pavilion" for the first time in Tengwang Pavilion, creating aprecedent for Tengwang pavilion to perform opera. Tengwang pavilion has sincebecome an opera stage from a song and dance stage

The fourth floor is dilingting, the sixth floor we went to! It's mainly ourfamous seven mountains and one water in Jiangxi Province! From left to right,they are Meiguan, Guifeng, Sanqingshan, Longhushan, Jinggangshan, Lushan, PoyangLake and shizhongshan in Jiangxi Province!

We are now in the middle hall,

You can see the preface to Tengwang Pavilion, which makes Tengwang Pavilionfamous for thousands of years. Let's go to the West Hall and have a look. Thepainting of a hundred butterflies and flowers on the wall is in memory of LiYuanying, who likes art. It's a polished lacquer painting. The fifth floor isalso the best place for climbing and sightseeing. Let's go to the corridor withme to enjoy the beautiful scenery. Here, you can experience the artisticconception of "sunset and lone ducks flying together, autumn water growing inthe same color".

We are now on the sixth floor, which is also the highest floor where we e are singing and dancing performances. Now you can watch large-scaleartistic performances.

At the end of my introduction, please have a rest while enjoying theprogram. Thank you.

南昌滕王閣導遊詞範文 篇8

Hello everyone! Welcome to Nanchang. I'm wang zuorei, the tour guide. Next,I will show you the scenic spots of Tengwang Pavilion.

Do you know the origin of Tengwang pavilion? By the way, Tengwang Pavilionis the first floor of Xijiang River. Together with yellow crane tower andYueyang Tower, it is known as the three famous towers.

Tengwang pavilion was built by Li Yuanying, son of Li Yuan, Emperor Gaozuof Tang Dynasty, when he was the governor of Hongzhou. Hongzhou refers toNanchang now. During the reign of Zhenguan, Li Yuanying was granted the title ofTeng Wang. Of course, the loft he built was named after his title, so it wascalled Teng Wang Pavilion. It has been more than 1300 years since Tengwangpavilion was first built. In the past thousand years, it has been up to 29 timesof alternation. The foundation was laid in 1983, the ground was broken in 1985,and the main Pavilion of Chongyang Festival was completed on October 8, we can see the plaque of Tengwang Pavilion is the cursive calligraphy ofhuaisu, the calligrapher of Song Dynasty, which is known as "the first cursiveplaque in the world". These four words highly summarize the unique features ofTengwang Pavilion. It is taken from Han Yu's poem "when I was young, I heard thebeauty of Jiangnan, and Tengwang Pavilion is the first, which is calledmagnificent and unique". Therefore, Tengwang pavilion has the reputation of thefirst floor of Xijiang River .

Now we are going to visit the main Pavilion of Tengwang Pavilion. Pleasepay attention to your safety when you play. Don't stick your head out of therailing; don't climb. We will gather at tengwangge at 12:00 noon. Tengwangpavilion has 89 steps, which means: the 29 generation Tengwang pavilion wasrebuilt in 1989, and "89" refers to this time. The main Pavilion of TengwangPavilion is 57.5 meters high and has nine floors, but now you can see only threefloors! How can it become nine floors?

This is because the structure of Tengwang Pavilion is bright three darkseven, plus two base, is nine. On both sides of the main Pavilion, there are twopavilions named "Yajiang" and "yicui". If you look at Tengwang pavilion from ahigh altitude, you will find that it looks like a giant Kunpeng trying to spreadits wings. Well, I've finished my introduction. Please continue to watch if youhaven't finished. Now it's disbanded!

南昌滕王閣導遊詞範文 篇9

Dear guests

hello everyone

There are so many pavilions in the south of the Yangtze River. Why arethese three buildings called the three famous pavilions in the south of theYangtze River? What's their unique charm? Here, I want to make a statement thatthey are not named because of the exquisite architecture itself, nor because ofthe purpose of their construction. They are all famous for the same reason -each for an article. For example, the Yellow Crane Tower is due to Cui Hao'spoem the Yellow Crane Tower, which is not as good as Li Bai's. Yueyang Tower isdue to Fan Zhongyan's Yueyang Tower, which is "first worried about the world,then happy about the world". Tengwang Pavilion is no exception. It is famous forWang Bo's preface to Tengwang Pavilion.

Have you ever been to the other two of the three famous buildings inJiangnan? Ah, my friend, have you ever been to the Tengwang pavilion? Do youthink there is any difference between the Tengwang Pavilion and them? Oh, theTengwang Pavilion is bigger and more magnificent than the other two , my friends, have you found out that the Yellow Crane Tower and YueyangTower are all about towers, while the only Tengwang Pavilion is about this point, I have to tell you the difference between this building and thepavilion. Let's take the three famous buildings as examples. The typicaldifference between this building and the pavilion is that the building risesfrom the ground, and the pavilion has a base, so the pavilion looks verymagnificent; And this pavilion is not like a building - you can build it if youhave money, and the identity of the person who built it is also very must be the prince and grandson. Who is the prince and grandson who builtTengwang pavilion? I think everyone wants to know. Don't worry. Listen to Xiao xslowly.

Tengwang pavilion was built by Li Yuanying, son of Li Yuan, Emperor Gaozuof Tang Dynasty, when he was the governor of Hongzhou, which refers to Nanchangnow. Li Yuanying was born in the imperial family. Because of the influence ofcourt art, he loved painting, singing, dancing and butterflies very much. Sowhen he was transferred from Suzhou to Hongzhou as governor, he brought a groupof Kabuki from Suzhou to enjoy himself in the governor's house all day. Hesuggested: "governor, since you like listening to music and enjoying dancing somuch, why don't you build a house by the river Gao Ge, in this way, you can notonly enjoy the scenery, but also enjoy the music of singing and dancing. Whynot? "After listening to Li Yuanying, he thought this idea was very good, so headopted it. That's why Li Yuanying built a high Pavilion here. During the reignof Zhenguan, Li Yuanying was granted the title of King Teng. Of course, thepavilion he built was named after his title, so it was called TengwangPavilion.

It has been more than 1300 years since the construction of TengwangPavilion. In the past thousand years, he has been up and down for 29 times. Aswe all know, Li Yuanying is a romantic prince. The pavilion he built was notworth mentioning, but why can it be spread from now on? If you have heard such asentence: "Tengwang, if you know it, you should be relieved that the MillenniumPavilion is still there." It is not difficult to find out the relationshipbetween the king of Teng and the pavilion. The king of Teng has been handed downthrough the ages because of the pavilion. Maybe you will be puzzled 's the reason that the pavilion is spread from today? I still remember whatXiao x told you just now about Wang Bo's (preface to Tengwang Pavilion). Thispavilion is spread from today because of Wang Bo's preface to TengwangPavilion.

The Tengwang Pavilion we see now is the 29th reconstruction. It laid thefoundation in 1983, broke the ground in 1985, and opened to the outside world onOctober 8, 1989. The main Pavilion is 57 high. Five meters, there are ninefloors. Which nine floors? The two-layer base is built according to the form of"three bright and seven dark", so we can only see three floors on the outside,but there are actually seven floors on the inside, three bright and three dark,plus one equipment floor. There are two pavilions on both sides of the mainPavilion, "Yajiang" and "yicui". Maybe you don't think there is anything specialbetween the main Pavilion and the two pavilions. But if we overlook Tengwangpavilion from high altitude, it looks like a giant Kunpeng who is about to flyhigh. When you go back by plane, you can see if Xiao x is right and there is abig Kunpeng.

When you look up, you can see the plaque of Tengwang Pavilion inscribed bySu Dongpo, a calligrapher of Song Dynasty. If you look down, I don't know ifanyone can see the plaque of wild grass. Those who have studied wild grass canbe of great use now. You can guess. There are four characters. En, it's hard toguess. Xiao x will tell you that you should remember them well. These fourcharacters are "magnificent and unique". They are the cursive calligraphy ofhuaisu, a calligrapher in the Tang Dynasty, and are known as "the first cursivetablet in the world". These four characters highly summarize the unique featuresof tengwangge, which are taken from Han Yu's poem "Yu Shaoshi" Tengwang Pavilionis the first one in Jiangnan, which is known as "the first building ofXijiang".

南昌滕王閣導遊詞範文 篇10

Dear members, we have come to Tengwang Pavilion, the most famous historicalscenic spot in Jiangxi Province. Together with Yueyang Tower in Hunan Provinceand Yellow Crane Tower in Hubei Province, Tengwang Pavilion is known as the"three famous buildings in the south of the Yangtze River". Now please follow mysteps to appreciate the first floor of Xijiang. Tengwang pavilion was built in653 A.D. when Li Yuanying, son of Li Yuan, Emperor Gaozu of Tang Dynasty, wasappointed as the governor of Hongzhou. It is the only royal building in thesouth. Because Teng King Li Yuanying was granted the title of Tengzhou inZhenguan years, he became Teng king. He built a loft in Tengzhou and named it"Tengwang Pavilion". Later, he transferred to Hongzhou in Jiangnan and built apowerful Pavilion, which is still called "Tengwang Pavilion". This is also knownas Tengwang Pavilion in Jiangxi. The Tengwang pavilion that we can see at aglance is three stories, but in fact it is nine stories. Why is this? In fact,it is an imitation of Song Dynasty architectural style, adopting thearchitectural style of "three bright and seven dark". The so-called "threebright and seven dark" means that from the outside, there are only three storeyswith cloisters. In fact, there are seven storeys inside, plus two basements, atotal of nine storeys. Zhenzhen is an ancient mansion. In 1942, the reason whyTengwang Pavilion today is a Song Dynasty style building was that Mr. LiangSicheng, a master of ancient architecture, together with his disciple MoZongjiang, drew eight "plans for rebuilding Tengwang Pavilion" according to theOld Song Dynasty paintings of "Tianlai Pavilion". In the 29th reconstruction,the architects used this as a basis. On the occasion of celebrating the 40thanniversary of the founding of the people's Republic of China, the 29threconstruction of Tengwang pavilion was successfully completed on October 8,1989 on the Double Ninth Festival, which not only adds luster to the ancientcity Nanchang, but also attracts a large number of Chinese and foreign touristswith its unique charm. Tengwang Pavilion is the pride of Nanchang, the symbol ofthe ancient civilization of Yuzhang, and the treasure of the cultural heritageof the Chinese nation.

Now we come to the gate, the green tiles and red pillars of Tengwangpavilion are magnificent. The roaring lions on both sides hold their heads upand shake their tails, lifelike. It fully shows the style of the famousbuilding. After stepping on the stone steps, we came to the gate on the firstfloor, and entered the pavilion from the main gate of dongbaoxia. A4.5-meter-long stainless steel arch couplet was hung on the red column in frontof the gate: "sunset and lone ducks fly together, autumn water grows in the samecolor.". This was written by Comrade Mao Zedong in his lifetime. This is one ofthe reasons why tengwangge, a famous poet in the early Tang Dynasty Wang Bo'spreface to tengwangge, is so popular. Step into the first floor. The first flooris the third floor of Tengwang Pavilion, which is the preface hall. What is ondisplay here is a white jade relief work "when the wind comes to send TengwangPavilion", which is created according to the story of the famous piece "when thewind comes to send Tengwang Pavilion" in Ming Dynasty Feng Menglong's XingshiHengyan. It records the origin of Tengwang Pavilion in the form of relief.

On the second floor, there is a dark layer. The theme of this layer'sfurnishings is "outstanding people". On the walls of the main hall, there is alarge acrylic mural "outstanding people", 2.55 meters high, It is more than 20meters long and vividly depicts Jiangxi celebrities from pre Qin to the end ofMing Dynasty. Although these people are different in times, costumes, status,age, occupation, quality and personality, they are harmoniously united in thesame picture.

Now we arrive at the third floor, which is a Ming floor surrounded bycorridors, and also an important level in the pavilion. Under the eaves, thereare four huge gold lettered plaques, all of which were designed by Cai Shiyingwhen he rebuilt Tengwang Pavilion. On both sides of the east hall are "luanqia"ritual vessels. On the north side of the hall are Jiangxi craft exhibits famousfor "natural treasures". The North ear hall is a teahouse, which is a place fortea and rest in the pavilion. There is a 2.8m × 5.5m acrylic mural "Linchuandream" on the screen wall of the central hall, which is based on the story ofTang Xianzu rehearsing "Peony Pavilion" in Tengwang Pavilion. In 1599, TangXianzu rehearsed "Peony Pavilion" in tengwangge for the first time, creating aprecedent for tengwangge to perform opera. From then on, tengwangge changed fromsinging and dancing stage to opera stage. Then come to the fourth floor. Thefourth floor is similar to the second floor, which is also a dark floor. Thislayer mainly reflects the theme of "Earth Spirit". On the walls of the mainhall, the wall is now in the "land map", which reflects the essence of Jiangxi'swell-known mountains and rivers.

On the fifth floor, we can see that on the central screen wall of thecentral hall, there is a stele of Wang Bo's preface to Tengwang Pavilion, whichis made of brass plate. It is nearly 10 square meters. It is written by SuDongpo. After being copied and enlarged, it is hand carved by craftsmen. On theeast wall of the West Hall, there is a polished lacquer painting "the paintingof a hundred butterflies and flowers". This theme is selected in memory of LiYuanying, the king of Teng, for his love and painting of butterflies. The fifthfloor is also the highest bright floor, the best place to climb the range you can go to the corridor to experience the beautiful scenery of "sunsetand lone ducks flying together, autumn water growing in the sky".

Finally, on the sixth floor, which is actually the ninth floor, we can seethe West Hall, which is called "antique exhibition hall". It is a small e are extremely precious copies of ancient musical instruments on the stage,implying the meaning of singing and dancing. On the three walls of the hall,there is a large-scale Tri Color mural of the Tang Dynasty, dance music of theTang Dynasty. At the same time, there are singing and dancing performances onthis floor. You can watch large-scale artistic performances here.

Well, members of the group, so far my explanation is over. You can seizethe time to visit the scenic spots you are interested in. In an hour, we willgather at the exit of the first floor to go to the next scenic spot. I hope youcan have a good memory in Tengwang Pavilion.