十分鐘發言稿多少字

in the matter of courage we all have our limits. there never was a hero who did not have his bounds. i suppose it may be said of nelson and all the others whose courage has been advertised that there came times in their lives when their bravery knew it had come to its limit.

i have found mine a good many times. sometimes this was expected--often it was unexpected. i know a man who is not afraid to sleep with a rattle-snake, but you could not get him to sleep with a safety-razor.

i never had the courage to talk acroa long, narrow room. i should be at the end of the room facing all the audience. if i attempt to talk acroa room i find myself turning this way and that, and thus at alternate periods i have part of the audience behind me. you ought never to have any part of the audience behind you; you never can tell what they are going to do.

i'll sit down.

中文：

在勇氣問題上，人人都有極限。從來就沒有膽大包天的英雄好漢。我想，可以説，納爾遜和所有那些被大量宣傳的勇士，一生中都有勇氣達到極限的時候。

我就多次發現自己的勇氣到了極限。有時是意料之中的——經常是出乎意料的。我認識一個人.此君不怕與響尾蛇同寢，可你無法讓他與保安剃刀共眠。

我從來就沒有勇氣在狹長房間的中央發表講話。我得站在房間的一頭，面對全體聽眾。如果我試圖站在房間中央講話，我就會不斷地轉身，這樣，就不斷有部分聽眾在我背後。你們永遠不能讓自己背後有聽眾;你們永遠鬧不清他們要幹什麼。

我得坐下了。1。演講，首先要了解聽眾，注意聽眾的組成，瞭解他們的性格、年齡、受教育程度、出生地，分析他們的觀點、態度、希望和要求。掌握這些以後，就可以決定採取什麼方式來吸引聽眾，説服聽眾，取得好的效果。

2。一篇演講稿要有一個集中、鮮明的主題。無中心、無主次、雜亂無章的演講是沒有人願聽的。一篇演講稿只能有一箇中心，全篇內容都必須緊緊圍繞着這個中心去鋪陳，這樣才能使聽眾得到深刻的印象。

3。好的演講稿，應該既有熱情的鼓動，又有冷靜的分析，要把抒情和説理有機地結合起來，做到動之以情，曉之以理。

4。演講稿的語言要求做到準確、精練、生動形象、通俗易懂，不能講假話、大話、空話，也不能講過於抽象的話。要多用比喻，多用口語化的語言，深入淺出，把抽象的道理具體化，把概念的東西形象化，讓聽眾聽得入耳、聽得明白。